Ta pub auto générée par IA en 11 touches.

Vertical 9:16, 13 seconds, one continuous shot, no cuts.

Photorealistic cinematic car-commercial look. Maximum possible visual quality, ultra-realistic, crisp high-end cinematic rendering.

SUBJECT: the person from @image1. Keep face, hairstyle and accessories exactly as in the reference. Keep the black jacket and black pants exactly as in the reference. Change only the T-shirt under the black jacket to a plain white T-shirt, and change the shoes to clean white sneakers in an Autry style. They sit centered in frame on a low black folding camping chair with a short backrest, knees apart, feet flat on the ground, one hand resting on the lap, the other hand raised at shoulder height in a ready-to-snap pose (thumb and middle finger pressed together).

Calm, deadpan expression, looking straight into the lens.

VEHICLE: the car from @image2. Keep exact model, body shape, color, wheels, lights and badges as in the reference. Change only the front license plate so it simply reads PORSCHE.

It always faces the camera head-on.

LOCATION: wide flat dry plain on the Côte d'Azur. Foreground of dry, compacted brown-ochre dirt scattered with small pebbles and gravel. Sparse Mediterranean scrub in the mid-ground, the blue Mediterranean Sea visible in the background, coastal hills, pine trees, elegant Côte d'Azur villas and a blue-grey mountain range low on the horizon, pale blue sky with a thin horizontal band of soft clouds just above the mountains. The landscape should clearly feel like the French Riviera / Côte d'Azur while keeping enough open dry ground for the car action. Golden hour: low warm sun from the side and behind, amber light glowing through the dust, soft long shadows.

CAMERA: locked-off tripod, no movement, no zoom. Low camera height (seated chest level), perfectly centered symmetrical framing, telephoto lens (~100mm) with strong perspective compression, shallow depth of field: subject tack-sharp, background softly blurred. Subtle film grain, natural contrast, cool blue sky and Mediterranean Sea vs warm amber ground.

TIMELINE:

0.0-2.4s: real time. The subject sits completely still with the hand raised. Far behind, the car drives straight toward the camera at high speed, dust trails spraying on both sides, growing larger in frame. 2.4s: the subject snaps their fingers once, crisp and sharp, then freezes the hand in the same raised position. On the snap, the car, now a few meters behind the chair, hits a small rise and launches, nose lifting.

2.7-5.2s: smooth speed ramp into slow motion (~25% speed).

The car floats directly behind and above the subject, nose toward the camera, all four wheels off the ground, suspension fully extended, tires hanging, dust and small stones suspended in the air beneath it, backlit in gold. The subject stays perfectly still and unbothered, hand still raised.

5.2-6.0s: speed ramps back to real time. The car drops and lands hard right behind the chair, suspension compressing, a burst of dust kicking up. It stops directly behind the subject, fully visible, daytime running lights on, never touching the subject.

6.0-13.0s: real time. A light, warm golden dust cloud rises and drifts behind and around the car, the car always stays visible through it.

Around 7s the subject slowly lowers the hand onto the lap and keeps looking at the camera. The dust gradually thins and fades away until the car stands clean and clear behind the seated subject. Hold the final composition.

AVOID: camera shake or movement, cuts, zoom, any change to face, black jacket, black pants or car design, any outfit change other than the plain white T-shirt under the black jacket and the white Autry-style sneakers, any change to the PORSCHE front plate, the subject flinching or turning around, the car passing over or hitting the subject, extra people or vehicles, text, watermarks, morphing, distorted hands or fingers.